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| Baird Competition |
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The Tadeusz Baird Competition for Young Composers (formerly the Youth Competition of Polish Composers’ Union) has been organised annually since 1958. Its aim is to help young Polish composers launch their careers and to encourage their independent activity. Till 1990, the Competition rules stated that its subject was any piece lasting more than 5 minutes. The participants obtained a 3-month scholarship from the Ministry of Culture and Art for work on this composition. The 1st prize was a scholarship in a Western country, the 2nd prize - participation in a music festival in some country of the Eastern block, the distinction - free stay and participation in the “Warsaw Autumn” Festival in Warsaw. After 1990, the Ministry ceased to grant artistic scholarships. Since then, the main prize - the Tadeusz Baird Award of 2500 dollars for further composition study - has been funded by Alina Sawicka-Baird, wife of the late composer. The distinctions are financed by Polish Composers’ Union Management Board. Since 1990, the Tadeusz Baird Competition is open to all Polish composers who did not turn 35 until the closing date (earlier, it was reserved only for graduates from state higher schools of music composition classes). The subject of the competition is different in each year.
Since 2003 the competition has two periods. Pieces chosen by Jury to 2nd period are performed during public concert after which ultimate verdict is declared. Then, we learn names of laureates.REGULATIONS OF THE LAST COMPETITION
REGULATIONS OF THE TADEUSZ BAIRD COMPETITION FOR YOUNG COMPOSERS 2009
- The Tadeusz Baird Competition for Young Composers is organised annually by the Management Board of the Polish Composers’ Union.
- The participants must be Polish composers who on the closing day of the Competition will not exceed the age of 35.
- The subject of the Competition in 2009 is a work to be performed by 2 to 4 performers using the following instruments: piano, piano, percussion, persussion, about duration of 8-13 minutes. The following combinations of instruments are admitted:
- 2 pianos
- 2 percussions
- piano and percussion
- 2 pianos and percussion
- 2 percussions and piano
- 2 pianos and 2 percussions
Possible party of percussion may be composed for percussion instruments optionally chosen from among given below:
marimba 5 octaves, vibraphone 3 octaves, orchestra bells, 4 octobams, 4 tom-toms, bassdrum, snare drum, 3 gongs, darabukka, bongos, 3 cymbals, cajon, bambochimes, metal chimes, shell chimes, 1 rototom, 5 temple blocks, triangle, crasher, Chinese cymbal, bat, vibraslap, flexaton, claves.
Collate instruments cannot be divided between two drummers.
- A composition submitted for the Competition may not be performed publicly or awarded in another competition before the results of the Baird Competition have been announced.
- The competition consists of two stages. In Stage One the jury selects the compositions to be performed at a public concert. The results of Stage One will have been announced by 15th February 2010. Stage Two decisions will be taken after the concert of selected compositions. The Jury will then grant the prizes. The concert will take place in 2010.
- The main prize in the Competition in the Tadeusz Baird Award, founded by Alina Baird – the equivalent of 2500 US dollars towards further composition studies. There are also two honorable mentions (distinctions), whose recipients will be given free hotel accommodation and subscription for all the concerts of the “Warsaw Autumn” International Festival of Contemporary Music, founded by the Managing Board of the Polish Composers’ Union. The Jury reserves the right to divide the prizes in a different way.
- The scores, marked with an emblem, ought to have been sent in anonymously
by 30th November 2009 (the postal stamp date is decisive) to the following address:
Polish Composers’ Union Management Board Rynek Starego Miasta 27, 00-272 Warsaw with a note on the envelope: " The Tadeusz Baird Competition for Young Composers”
Enclosed with the score must be an envelope marked with the same emblem, containing the name, surname, date of birth, address and telephone number of the composer, as well as his or her brief biographical note.
- The jury will consist of persons invited by the Presidium of the Polish Composers’ Union Management Board.
LAUREACI KONKURSU
| I Competition (1958) | Juliusz Łuciuk for Szkic symfoniczny |
| II Competition (1959) | Krzysztof Penderecki for Strofy |
| III Competition (1960) | Henryk Mikołaj Górecki for Monologi I |
| IV Competition (1961) | Romuald Twardowski for Antifone per tre gruppi |
| V Competition (1962) | not awarded |
| VI Competition (1963) | not awarded |
| VII Competition (1964) | not awarded |
| VIII Competition (1965) | Zbigniew Bargielski for Parady |
| IX Competition (1966) | Piotr Warzecha for Ewolucje |
| X Competition (1967) | not awarded |
| XI Competition (1968) | not awarded |
| XII Competition (1969) | Marian Sawa for Assemblage |
| XIII Competition (1970) | not awarded |
| XIV Competition (1971) | not awarded |
| XV Competition (1972) | Zbigniew Pniewski for Muzyka |
| XVI Competition (1973) | not awarded |
| XVII Competition (1974) | not awarded |
| XVIII Competition (1975) | Stanisław Moryto for Nocturn |
| XIX Competition (1976) | Sławomir Czarnecki for Gradito per orchestra |
| XX Competition (1977) | Ryszard Szeremeta for Próżno płakać |
| XXI Competition (1978) | Wiesława Alicja Garr for Sura I |
| XXII Competition (1979) | Paweł Szymański for Gloria |
| XXIII Competition (1980) | Paweł Buczyński for Muzyka opadających liści |
| XXIV Competition (1981) | Piotr Radko for Poemat kontemplacji |
| XXV Competition (1982) | not awarded |
| XXVI Competition (1983) | Katarzyna Bortkun for De Caritate |
| XXVII Competition (1984) | not awarded |
| XXVIII Competition (1986) | not awarded |
| XXIX Competition (1987) | Andrzej Dziadek for Poemat symfoniczny |
| XXX Competition (1988) | Wiesław Rentowski for Wayang |
| XXXI Competition (1989) | not awarded |
| XXXII Competition (1990) | not awarded |
| XXXIII Competition (1991) | not awarded |
| XXXIV Competition (1992) | ex aequo: Alicja Gronau for Okna and Robert Kurdybacha for Symfonia kameralna |
| XXXV Competition (1993) | not awarded |
| XXXVI Competition (1994) | not awarded |
| XXXVII Competition (1995) | ex aequo: Marcin Bortnowski for Kwartet smyczkowy and Adam Falkiewicz for Po drugiej stronie słońca |
| XXXVIII Competition (1996) | Wiesław Pluskota for Trio na 3 klarnety i taśmy |
| XXXIX Competition (1997) | Marcel Chyrzyński for Ferragosto per tromba, pianoforte e batteria |
| XL Competition (1998) | not awarded |
| XLI Competition (1999) | ex aequo: Aleksander Kościów for Noc świętojańska and Bartosz Kowalski for Studium przestrzeni |
| XLII Competition (2000) | not awarded |
| XLIII Competition (2001) | ex aequo: Bartosz Kowalski for Sny o przeobrażeniach materii and Daria Jabłońska for Images of Broken Light |
| XLIV Competition (2002) | not awarded |
| XLV Competition (2003) | ex aequo: Paweł Strzelecki for Piano Quintet and Bartosz Kowalski-Banasewicz for Stadium |
| XLVI Competition (2004) | not awarded |
| XLVII Competition (2005) | ex aequo: Adrian Foltyn for Son'tasy 2.1 and Dariusz Przybylski for The Rest is Silence |
| XLVIII Competition (2006) | Ist prize - Wojciech Blecharz for "dim" and two IInd prizes: Sławomir Kupczak for "Lament" and Artur Zagajewski for "Glassmusic-motet" |
| XLIX Competition (2007) | Ist prize ex aequo: Zofia Dowgiałło for Turmalin and Łukasz Godyla for Three glances at music |
| L Competition (2008) | Two IInd prizes ex aequo: Artur Zagajewski for Liście and Marcin Zieliński for Fuci |
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